The details that went into a film's look are incredibly complex. Shooting in a studio and want to control the contrast with your lighting? Fuji's color-negative NS160 (NPS160 in the US) is the ticket.ĭifferences between film emulsions went way beyond just high vs low contrast or color saturation, though. Looking for super-saturated colors, with deep greens, rich blues and vibrant reds? Load a roll of Velvia. The old days: Change the film to change your lookīack in the film days, it was the film that made the image, not the camera, and different films had very different "looks" from each other. Heads-up: Third-party RAW apps' film profiles look different(!).Yellow/Red/Green filters for black and white photos. ![]()
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